nice price deal !!! the fourth rwina sees the light of yet another taz buckfaster 12inch thats going down in a true epic vein, one for the anthem horny jocks. so if you are into the grimy synth heavy side of things then better check this one out.

its been almost a year since the release of efdemins fantastic two-tracker >america/the pulse<. >america<, that was also used on his curle mix-cd >carry on...<, became quite a big tune and even ended up on the number one spot in groove magazines chart. therefor efdemin preferred that no-one touched that track anymore, and we decided to give >the pulse< a remix treatment. john beltran is a highly respected artist that has been around since the early nineties - r&s! peacefrog! styrax! - and when we heard the ultra-funky mega-bomb he made from >the pulse<, we knew we made the right decision to ask him. another one of our long time favourites from accross the ocean is convextion aka e.r.p. he did some ground-breaking stuff on matrix, down low and frantic flowers. we asked him to do a remix of crcs amazing take on detroit techno, >vaskitsaherra<, originally on curle 009. the result ended up being nothing else than a timeless piece of art.

a little less than two and a half years after its conception—and close to 30 singles, one compilation, one mix cd and one sublabel later—berlins mobilee releases its first artist album. naturally, who better to represent the milestone than pan-pot, who so far have delivered five essential singles to mobilee, helping to anchor the ever-shifting sound of one of europes most exciting labels. in just two short years, with 10 singles (for mobilee and einmaleins musik) and lots of remixes, theyve become known far and wide for their distinctive, groovy, and above all ominous sound. pan-o-rama finds the boys stretching that sound in every possible direction: twisting, tearing, and using the shreds to drag a wide swath of techno history into the future (and, just maybe, to drag a few pieces of techno future back into the past). call it minimal if you must, but this aint no clickity-clack shit. you can hear the agonized gurgle of isolationist acid, reminiscent of plastikmans darkest nights. you can hear the percolating urgency of classic bleep techno. tried and true hardware collides with restless digital experimentation as dance musics dna worms its way into twisted new shapes. pan-o-rama is dark, thats for damned sure. eerie vocals that seem to come from within the listeners own head creep across the stereo field. throughout, restrained minor-key melodies conjure 21st century noir, and a relentless low-end rumble seems to suck up all the light around it

clone classic cuts continues to dig in the crates to bring back forgotten or obscure records from the past! this is 3 tracks by da posse (produced by hula... one of the outthere brothers... and with maurice joshua, k fingers & martell). strings & its my life are chicagos take on detroit techno... a rare release that sounds like a early derrick may record (think the dance) but maybe slightly more straight forward (as one might expect from chicago). a rare piece in house and techno history since this is one of the rare examples of a record that doesnt show the clear difference between chicago and detroit in the late 80s. this record most likely got produced within 1 year after rhythm = rhythms legendary nude photo and strings of life releases (both 87 and this came out in 88). as extra bonus track we have the groove. a phat bass driven chicago acid track that still rocks it. another fine piece of powerful dance music history back in the spot light!

alex ridha aka boys noize is, along peers erol alkan and justice, part of a new mongrel breed of techno / electronica artist with a maverick bent and solid vision, beaming a myriad of influences from the past through a prism to create something fresh, new and exciting. founding his own imprint boysnoize records (bnr) in 2005 he achieved to establish his very own sound. alex released the first boys noize album “oi oi oi” in 2007 on bnr which featured febrile club favourites like “& down and “lava lava” and also more soulful techno tracks like “shine shine” or what many regard as one of his finest works, his remix of feist’s “my moon, my man”. official remixes for the likes of depeche mode, snoop dogg, justice, late of the pier, his latest work for royksopp, highly regarded dj mix compilations (bugged out! / i love techno) as well as productions for black eyed peas and canadian genius gonzales proved how versatile he could be. now boys noize presents his second longplayer as a lim.ed on vinyl instead of following the commercial path after the unexpected success of “oi oi oi”, boys noize passed on any big name featuring, the great pop approach or feeding trends. keeping it real, “power” starts where “oi oi oi” has ended and shows the freshest of electronica and techno music.

>perlmutt< supported by: robag wruhme, timo mass, gregor tresher, chris liebing, dave seamann, paul woolford, john digweed, alexi delano, edu imbernon! dominik eulbergs new traum release >perlmutt< holds two new songs. after >sansula< eulberg has taken another step towards composing exceptional bitter sweet melodies as we can witness in >daten-Übertragungs-küsschen<. his fairylike romantic and gentle melodies are as light as snow flakes and say goodbye to realism. in contrast to the a-side >schnertuppen-regen< keeps an eye on the clubby side of things with rectangular saw tooth sequences, dubby rhythms and back and forth sliding sequences that seem to stem from ancient string instruments and show herewith traces of popular german folk. all of this evokes in us the beautiful and early >acoustic window< phase of mr richard james.

dance and love in the morning light!

following closely on the heals of the wildly popular amedou et miriam >bara< 12inch, joe claussell returns with his highly anticipated the lower east pipes project, delivering an eclectic, energetic & inspiring dichotomy of party rocking efficacy & esoteric ambient exploration in this latest e.p. 12inch from sacred rhythm music. disorganized corruption combines the experimentally minded disco reverberation & percussive chaos of manhattans glory years with the funky cross-culturally minded aesthetic conveyed flawlessly by claussells productions to create an all-out party rocker

andré decided spontaneously to record fresh material especially for the label, more than 6 months before our fi rst release. this says a lot about the common trust that was born that day, much before the hype surrounding the man. the result of this saw the light some weeks later in the form of vehemence of silence, a track of indeniable power which breathes long years of djing & berlin afterhours as much as uncovering close impressions of andré’s emotional outcome. this is what made me feel that track like a whisper to my body & soul and what makes me so proud to release it today… more than 10 months down the line, andré improved it, tested it on the fl oor till a fi nal club listening session in the middle of the berghain dancefl oor where we both knew it was ready to be shared… this special track needed of course outstanding alternative perspectives and it didnt take me long to propose my old friend danilo plessow amongst andrés favorites to give it his magic : motor city drum ensembles version translates an unexpected techno jam reminiscent of the best early soma days. the ep is completed by a second original called dark edge, a sophisticated & raw deep house joint. a&r and words by dairmount

another superbly curated selection of rare and undiscovered gems from the world of afro disco as author of the hugely popular american athlete blog, mr les stache has become an invaluable resource for all eager disciples of the good groove, shining a light on the often forgotten tracks from an overpopulated genre. as a true afficionado, these edits and amends are done with plenty of reverence for the originals, without ever losing site of their need to work the floor aside form including a majestic rework of arguably the best afro disco track ever made kabbalas ashewo ara (retitled kabbooga loo here) we get two more deadly jams concocted from drums lalabye and john ozilas funky boogie as with the first two volumes, these are ludicrously limited (300 copies) so get busy!!

its been almost a year since the release of efdemins fantastic two-tracker >america/the pulse<. >america<, that was also used on his curle mix-cd >carry on...<, became quite a big tune and even ended up on the number one spot in groove magazines chart. therefor efdemin preferred that no-one touched that track anymore, and we decided to give >the pulse< a remix treatment. john beltran is a highly respected artist that has been around since the early nineties - r&s! peacefrog! styrax! - and when we heard the ultra-funky mega-bomb he made from >the pulse<, we knew we made the right decision to ask him. another one of our long time favourites from accross the ocean is convextion aka e.r.p. he did some ground-breaking stuff on matrix, down low and frantic flowers. we asked him to do a remix of crcs amazing take on detroit techno, >vaskitsaherra<, originally on curle 009. the result ended up being nothing else than a timeless piece of art. this record comes as a beautifully marbled coloured vinyl, limited to 500 pieces.

its back the popular sampler series 4 killer cuts that havent seen the light oif day on vinyl a must for any dj **note volume change

this record is just so wooow it hurts to close the gap. it s like it says on the tin of cliches: >the definition< is giving you a concise description of where soul clap, the humorous boston-based house duo, is heading. well, not quite: more where they have arrived, actually. they have found their style. eleven out of ten! this is light years away from the sick >puppy crack< anthem that left you with wobbly legs. get ready to be completely overwhelmed as the sassy producers beamed themselves into futuristic groove heavens while staying firmly grounded on the proto 90s floor. right on!

pt 1 of the vinyl version of this great label retrospective... so much good music on here! we at rh are long time fans of daniel wang and thought it was time to shine some light on his balihu catalog. on this compilation you will find all his early hits, unreleased material as well as more recent released deep, electronic disco by daniel and co (brennan green, ilya santana & massimiliano pagliara a.o.) a tasty compilation disco and electronic heads alike. a very tasty release for the disco and house fans alike. includes all the rare and more dancefloor orientated tracks.

time for round 3 in our recent celebration of dessous classics past, present and future… this time we have 3 hot remixes, courtesy of steve bug, langenberg and ripperton, re working tracks from the discowboys, two armadillos and phonique respectively...

quantec with his trademark dubby and dusty techno tracks. three tracks that sound like a foggy spring morning in the swamps with your feet in the stinky mudd and the light blue skies slowly bringing you another beautiful day.

basically its been the cops are coming anthem of sydneys squar parthy underground for ever - but the bang gang 12s boys have brought it to the light!!!

the first of three eps taken from bliss latest album no one built this moment. includes stop me (feat. sophie barker), light to your life (feat. sophie barker), bascar azad (feat. lisbeth scott) and the non album track door madarh. plain sleeve. record slips into the full color jacket that comes with part 3.

redux hit their 9th release with the second offering from the very talented musician/ songwriter known simply as fernando. first appearing on the label with his solid cover of kick in the eye by legendary goth rockers bauhaus. fernando gained instant support from many djs and tastemakers, showing the world that he got the full package when it comes to being a talented recording artist .now hes back again to unleash the first of his original solo material from his forthcoming debut album, guaranteed to be a firm favourite with disco stallions , pump rockers and bearded ladies. scarecrows kicks the e.p off , setting the tone immediately with a rock steady bass groove , crisp synth stabs and catchy vocal snippets (from another famous goth influence) sprinkled on top that will stick in your head for days .bladerunner ups the energy a notch with some lively drums and a beefy bassline sure to shake any waistline (one size fits all). weird trippy textures and surging synth sounds keep it moving and occupy your brain whilst the groove kidnaps your feet and hips on the dancefloor.on remix duty is croatia s leading light and all round nice guy ilija rudiman. taking a slightly different approach for scarecrows, giving the track a deeper, moody feeling but still keeping the essence of the original. subtle pads and acid lines weave in and out as the groove pushes on and draws you closer in, dropping in to the break down and sending you off singing doop doop doop do do. this 12inch clearly showcases some of the freshest talent thats coming through the ranks and will instantly appeal to fans of reverso 68, tensnake and emperor machine to name a few strong examples. if youre feeling this then be sure to keep an eye/ear out for fernandos debut album coming soon on reduxà. this is just a taster

jays brings the deep underground vibe back into house!

in spring of 2006, jackpot began to fester in a stockholm apartment. without fresh air or natural light, the group developed its uniquely mutant strain of italo disco mixed with early 80s body music aided only by the sickly blue rays of late night tv. while the jackhammer rhythms of their music were proliferating in stockholm, jackpot dove into the deepest recesses of the electronic dance music psyche for the most primal of all rhythmic impulses - their own unmistakable sound - the sound of western culture falling apart in a blaze of shudders and hiccups. as late night sci fi reruns colored the room, jackpot also picked and chose amongst the psychotic debris of previous eras - the movies of kenneth anger, the music of suicide, velvet underground and bruce haack, the words of william s burroughs. and then they added the junkiest element of all - themselves. after two critically acclaimed records, the third chapter of the jackpot saga is about to be told. its called greased lightning (also features remix work from such talents as in flagranti and rory phillips). you hear that beat? thats them knocking on your door.

after almost 2 years without publishing new material. the label properproud reappears with this ep limited to 250 copies. the owners of the label santi and roger (strange connection) have worked very hard to remind everyone with this record that the electro-techno and ebm will not die ever! this time, properproud back with more force and with the intention of staying forever. closing mouths includes 4 tracks of 4 major artists and the name isn t coincidental. it s time to shut many mouths that don t rely on this kind of music the first one closing mouths (a1) has been signed by the owners of the label (strange connection) is the first time published in properproud. a track of pure ebm, dark and evil but with great force and which has received great support from artists like angel molina and dave clarke who has played several times in his white noise radio show. the second one hurt me (a2) has been signed by jonathann cast in collaboration with the voices of drey. after publishing in dancefloor killers come to properproud and do it in a forceful and dark track that can move any dance floor. bluntly electro-techno and without mercy! on b side, we find 2 of the best signings he has made during that properproud parentheses. in the first cut (b1) adriano canzian, currently one of the most bizarre techno artists, with halim the dream shows because david carretta and dj hell is set in it. a brutal track, direct and intended to enjoy it in a club. dave clarke has supported it without hesitation. and to finish off the ep, ruben montesco (b2), after his passage through lasergun and other labels turn to properproud to demonstrate in madrid that also makes good techno and ebm. insomniac s red room is a dark track, evil but with a lot of energy and a perfect voice. rubÚn besides being a great friend and supporter of properproud is undoubtedly one of the best producers of this style at national level. 4 tracks that shape a piece of craft for lovers of brazen sounds and is the first of a series of 12 inch that will see the light soon and will be limited to 250 copies. properproud is back .... stop the minimal. use your brain!

this is a 2nd single cut from the new lawrence album >until then, goodbye<, which will be released together with this 12 inch. >in your eyes< is the most dance-oriented trackon the album. atmospheric trancy deephouse style. >sleep and suffer< is abstract minimal house and >dont follow me< is an emotional ambient track.

elon returns to dumb-unit with 2 sublime summer works. treading lightly on current trends but with full individual strength he jacks the notion of what a modern techno djs should deliver in this day and age. fxck cuba is a layered and playful excursion into what the post minimal freestyle years have allowed us to achieve. freedom from constraints & styles. he then continues the mood on >right on babe< an ode to slinky summer sex, here elon pushes a dark and nasty feel that will grind hips this summer.next up is a man we have been eyeing for some time and his first foray onto dumb-unit is a stormer. ahmet sisman, the upstart from essen who has already made major waves (including being featured being on sven väths sound of the 9th season), takes the remix to another dimension (so pay close attention). not for the light hearted, this remix a a powerful calling to festival and main room dance floors of the summer, direct, unabashed and loads of fun ahmet is clearly a man with a lot to say and delivers a powerful modern take on dumb units renown sound.

just in time to conclude a bittersweet summer (at least in berlin), retreat brings the heat with a soulful ep from one of his founders, hotshot producer quarion. as the name implies, dusty fingers sees the beatmaker return to his hip-hop roots and dig in the crates for a sample-based deep & dirty 3 tracker! quarion was last seen circling around venus and we hope he wont be gone too long because we need more eps like this one

just in case someone might have forgotten: stil vor talent is based in berlin. and this ep by sascha braemer, one part of heinrich & hirtenfellner, proves just that. braemer, whos just been at the top of everybodys dj charts with his funk-laden minimal soul piece >mamba drums< on kindisch records, has donated three tracks to oliver koletzkis imprint that mirror what this city is best know for: funky minimal grooves. first up there is >ghost track< a typical dry minimal loop with a rhythmically in touch vocal sample that is then juxtaposed by a simply astonishing piece of melody. goose bumps and groove humps on the floor - guaranteed! on the flip: >girl<. here braemer has created a dubby piece of tech house that floats towards a soulful vocal and some beautiful strings. this is one for the early morning, or in berlin, the late afternoon, those times when everything seems in perfect harmony with each other. last up is >guitar man<, yet another very sample-based stripped down loop with one riff of an echoed guitar being the protagonist. when that riff is fully played out, we all know its summer. but it wouldnt be berlin if there werent some dark wobbly basslines seemingly destroying this but in fact creating the perfect combination of soft and hard, of light and dark. on top of this the vocal sample >i wont leave< perfectly encapsulates the vibe of the praised berlin afterhour. stil vor talent is back at home with this ep.

christian hilscher and nico plagemann - three minutes before the start: three double signals are flashing at the starting lights. the pilots are strapped into their cockpits with pinpoint accuracy. windows down, elbow out. the sound system is at the limit, the golden chevrolet is shimmering û a real feast for both the audiences eyes and ears. one minute before the start: the motors start roaring. now only two double lights are flashing at the starting lights. adjust your sunglasses. put in the first gear. the bass is vibrating. 15 seconds before the start: only one double light is flashing. now, the kollektiv is on its own. the last bit is tickled out of the sound system. behind the car, a marshal is waving a yellow flag when suddenly the windows start vibrating with the bass. the speed range is signal-red. start: the last double signal of the starting lights goes out, and for the charming guys from hamburg, five green lights are going on: the start. the pulse rate is rising up to 110. its the point of no return - the race is on..

after a number of successful eps with his musical partner nuno dos santos on compost black label (their release have been supportet by big names like joris voorn, richard dorfmeister, mijk van dijk, karotte, alex attias, dubfire) its time for tj kongs first solo release feat house legend from the very first hour, mr. elbee bad.

the unreleased mixes of this summers anthem see the light of day! wady mix is the winner on download & dorays has the djs behind it!!!

the game boing is a small bag, perfect for everyday use. through this model we show one of the most renowned game platforms under a new light. but this selection is far from random. game boy has become during the past few years a music machine on its own, defining a new electronic genre, called 8-bit music type: small bag & pouch dimensions: 16.5 x 4 x 10 cm material: printed pvc extra: adjustable belt

before you dive in the regular sales fodder i would like you to ask yourself this question: what if humans arent the only living creatures who can create & enjoy art...? well, meet a true & genuine artist at heart and take a minute for michaels story. totally moved and inspired by the life & work of michael, the silverback gorilla who talked sign language who unfortunately passed away in 2000 after a fatal heart failure, ronny & renzo produced this incredible song me, myself, good after the same titled painting by the hand of the late and great michael... may he rest in peace. ronny & renzo their original version is a 9 minute+ moving epic that not only looks back in sadness at the pain & horror michaels life started with when poachers killed his mother in front of his eyes. it equally celebrates the love & comfort, the guidance & protection he enjoyed while he and koko were adopted and lovingly raised by dr. penny patterson and dr. ron cohn. because of the serious and delicate nature of this tribute release we couldnt think of anyone more appropriate than dance exotica pioneers quiet village to perform the remix. these two extraordinary gentlemen lead you by the hand into the heart of darkness, to a meditative place somewhere deep in the jungle only they know of... after more than a year of silence, a new king kung foo release sees the light of day throwing the label right back in the leftfield disco game. these amazing recordings will not only have their impact on an ecstatic dancefloor but will also be the ideal soundtrack to a lazy sunday. enjoy! pressed on a limited quantity of 1000 copies and no chance for a repress, this desirable twelve inch with powerful cover art will be sold out in no time. but the most important thing here is that koko needs your help! so for each copy sold a part of your money goes to the gorilla foundation.

first extract from the forthcoming album >dreamer are you sad< to come out soon, produced by peter deimel (deus, the kills). limited edition 7 inch full of electric breaks and noisy guitars bullying the apparent wiseness and light melodies, calling on pretty convincing influences like can, robert wyatt, radiohead, or sufjan stevens...

san franciscos loose shus is the sound of today. with pulsing synths, funky riffs and sharp beats, loose shus has helped define a new generation of disco pioneers. his live shows incorporate amazing video projections sampling 70s and 80s television clips running in sync to his music. he is part of urb magazines next 100 for 2009. loose shus will also be appearing on the >valerie and friends< compilation due out may 27th, compiled by the coveted french collective valerie. mixed by mark pistel, member of hercules and love affair, and meat beat manifesto, this ep pops with clarity and punch to get the dancefloor moving. plant music are also proud to have lisbons xinobi on remix duties for <threesome< and los angeles keenhouse on remix duties for >taurus<. xinobi has been quite the hyped producer this past year including working with moulinex and a series of high profile remixes.
>itÆs rocket ships meets neon hotpants, meets teased hair, meets lazer beams, meets the zodiac, meets a 1970s hotel lobby and throw in a light pink pearlescent vibrator.< -- freedanger.com
>tracks that work perfectly on nowadays parties< -- discodust

fukkk offf aka bastian heerhorst has been renowned for some time in his hometown of hamburg for storming live sets in the clubs scattered around the citys red light district. die sundige meile or the sinful mile as it is known has seen its walls shaked and thighs quaked by the throbbing depths of bastians big room fukkk offf sound. after the first two hit singles im a freak and rave is king, of which the latter went to # 1 on the german club charts, fukkk offf delivers his debut full length album love me, hate me, kiss me, kill me. the album which includes his previous singles delivers even more flavor from the hip-hose party rocking duet more than friends, featuring nyc rappers razor cain & hazel, to the fashionista anthem famous. by turns dark and menacing then veering towards moments of playful funk and kitsch, lmhmkmkm doesnt let up on its grand tour of the discerning late night dance floor

after seeing the banging >red hot< - her first released production - become the all-favorite track on airdrops extraction us compilation, it is a natural step for connie to slip once again into her constar outfit, and release this time her first record, the sunset tribe ep. here, constar does what she does best, take her clan on a ride through different skylines, from the shores of bali in indonesia to the chinese inland mountains. indeed, in sunset tribe the careful listener will hear parts of a kecak ceremony - pronounced keh-chahk , also known as the ramayana monkey chant - a form of balinese musical drama, that roots in a traditional trance-inducing exorcism dance. a piece usually performed by a circle of hundreds of men percussively chanting cak while throwing up their arms, depicting a battle between the monkey vanara and the evil king ravana...
phoenixxx strikes the cord! using elements and melodies of traditional chinese instruments, the pipa, guzheng and erhu, constar takes our journey even further east. allying a bumpy and light-hearted groove to the depth and gravity of the instruments used, constar also offers an exploration into her balanced mind and soul. bringing the witchcraft even further, who better than the craziest wizard-duo electronic music has ever come across, voodeux! celebrating the release of their debut album on mothership, voodeux - aka tanner ross and james watts - create their very own blend of magic potion that no spirit - good or bad - could resist. simply spellbinding and savage, voodeux know the cerebrums fluids inside out, and will work them through their supernatural enchantments!

weve been pestering the dd boys for some time to release this awesome duo of reworks, and finally its here ! for number 9 in the disco deviance series, dicky trisco dips into the vaults and selects two of his all time favourite cuts and reworks them into fresh new versions dripping in disco boogie and electrofunkin vibes. first up is >come to me< which cuts up kanos >cant hold back (your loving)< and reworks it into an extended summer disco delight that is sure to work the dance floor. while on the flip >rip it dub<, the long awaited dub version of orange juices pop classic, finally sees the light of day and extracts every ounce of the track s original electrofunk flavour and pushes it to the max. more quality vinyl only gems for djs who love the disco sound

raindance dates back to 1988 when it was produced by marshall jefferson and featured byron stinglys distinctive falsetto voice. however, despite being intended as the follow up to the classic i cant stay away it never ended up seeing the light of day due to contractual complications involving another artist covering the song.

played by karotte, giles smith (secretsundaze), laurent garnier... already up to its 17th release, yore keeps rolling on, this time with a new release by memory foundation. in 1994 robert hood found his way into a dark basement somewhere in viennas suburbia. mr. hood was impressed by what he had heard, and with him a dat-tape took a long journey back to where techno was invented once. with their first appearance on detroits m-plant label 15 years ago, the memory foundation or one of their many alter egos found its way into the hearts and the record-bags of many serious electronic music lovers. in 1997, after setting up their own record labels central and together with jeremiah grow! and other releases on m-plant, 7th city or usm followed. the memory foundation now returns with their contribution for the yore camp, with their >reptiles in exile ep< they prove that they havent lost their magic touch. the track burns with electro-funk fire, with natural kit and cymbal sounds giving the already-surging cut extra thrust and the staccato burble of metallic chords adding berlin flavour. a lithe eight-note bass motif anchors the warm techno-funk of >bass traveller< as a flaring synth motif squiggles alongside rhodes chords and a boogieing clavinet line, and its easy to become so engrossed by the tunes relaxed swing that the artistry of its arrangement can go underappreciated. textbook body music, >summer visions< is an earthier, mid-tempo funk workout thats sure to get the dance floor crowded, while the light-speed closer >reptiles< blazes a slinky house trail whose fresh swing has got yore written all over it. with any luck, we wont be waiting twelve more years for the next memory foundation release

the >take you there ep< is yet another entry into simkos growing catalogue of immaculately arranged dance music-light-ontheir- feet but dark-of-heart dance tracks whose precision individual elements build upon one another, combining and re-combining into a greater whole

christopher spero a.k.a glimpse has really made a name for himself the way that producers and djs in this day and age should: by making tasteful music of the highest caliber, and putting substance over style. these two tracks co-produced with frequent collaborator and head of the hypercolour label, alex jones, put that said taste on display in a refined and elegant form of house music.true friends pumps right from the beginning with a chunky rolling kick drum only made denser by the thick brushing percussion that surrounds it. before the beats become to overwhelming a soothing male vocals drifts in reminding how hard it is these days to find a true friend. a stark tune of epic proportions. returning with a similar pressure from drum programming aesthetic, which basically means hefty percussion layered over warm and tumbling drums. æcambria sets itself apart from the a-side with a more open-air vibe. light piano notes float along side softly played wind instruments, creating a surreal dreamlike audio experience that still has the tools to do damage on the dance floor. glimpse and alex jones have really put some true style, grace and class into their music. masters at creating a distinctive sound that exist in the space where warm and lush tones meet musicality and stimulation. a summer record with good vibes scrawled all over it.

big love go from strength to strength next up for them is up n coming french producer romain curtis teams up with seamus haji and rising swedish star awa on vocals for this sublime track that should do the biznizz this summer. romains club mix has an infectious feel and teases the chorus vocal to crowd-pleasing results. seamus hajis vocal mix rushes straight to the top of the anthemometer whilst his dub goes deeper and tuffer with a slight tribal edge. all round dirty/techy/funker filthy rich really goes for the peak time slot making great use of the vocal for light relief

ed’s first offering for autoreply references the early building blocks laid down by pioneers such as carl craig or robert hood twisting & turning them with his own crisp production & drum programming with the end result being a unique contemporary take on modern dancefloor techno. both tracks effortlessly build teasing as they progress sometimes climaxing but always leaving you thirsty for more. the ballroom is a deep complex work that starts its journey showing the characteristics of a light stepping waltz - as the track progresses something more sinister starts to emerge & the mood subtlety transfers to a dark prominent space tango. this track will not only make you dance, it will also make you feel nervous & excited! the well tempered clavier – this track has it all: dancefloor bomb - dj tool – 9 ½ minutes of absolute linear pleasure making a statement from the word go with its solid kick and catchy lead synth floating in and out of the mix building to an unmissable break which is guaranteed to get cheers from the dancefloor + beyond. serious techno for serious djs. linienwerk – this is the perfect track to help build a room or wake up an afterparty, beautifully paced with an organic feel not to mention the dark synth stabs that seem to cover the entire stereo field.

we proudly announced the debut release of john daly on mule musiq! his music was already released from wave music,irr and his own label and he has made an excellent remix for rekids,compost,internasjonal. title track of a side is sounds like a spacy mr fingers! b1,morning moon is a melodic deep house and b2,light years is a cosmic house. all 3 tracks are timeless pices but could fit to the current deep house scene at the same time

for over fifteen years, orphx has been exploring the grey areas between techno, industrial and electro-acoustic music. using an assortment of synthesizers, samplers, feedback systems, and various homemade instruments, orphx combines the dark, experimental aesthetics of early industrial music with the pulse of techno, electro and dub.

first single from the forthcoming izmo album æearly night. izmo is a young frenchman born in 1984 in paris. he was discovered by harley&muscle a few years back when he tried to get in touch with them.. he started making music at the age of 15 years old , strongly influenced by the ambient and electronica music coming from uk and germany. as years passed by, his frequent holidays in englands midlands led him to discover various club scenes with the 4 to the floor spirit.. from hard stuff to funky and mellow music , izmo was soon found searching for a sound that was calling him... years passed by and izmo is now deep into house music where he finally found his roots in the 90s house music vibe from new jersey , chicago , detroit , england and france. may it be true garage or deep house, the groove, spirit and energy of this period has touched him deep inside and he is now a fierce defender of what he calls true school house music as opposed to old school or new school: i hate when people say that this sounds old school and that style sounds old or whatever...for me, a vibe is timeless ... izmo is also a deep techno head and all sorts of raw dance music.. watch out for his deep jacker and brawther aliases in the future... in summer 2007, izmo releases his first e.p. as a 12 inch on french label 9ts records, and gets a very good response, support and plays by legendary tony humphries... disguised as a tribute to smack productions , his where is eddie e.p. touched people from all different scenes, from deep house to uk garageà in 2008 , he will release his first full length album on little angel records, 14 tracks of strictly deep house music of different moods and atmospheres. izmo is thirsty and he will keep on trying to better his music for the pleasure of the real house heads. keep it underground ! support from laurent garnier, gorge, scope, osunlade, rocco, jay tripwire, dj rork, marlon d, dj dealer & more

nice price deal !!! essential & deep album by the man monoder aka jussi pekka! timeless beauty ! monoder. born in the cold north among industrial warehouses, people wearing only gray and random rabbits crossing the streets. his home town has two-lane streets which were made for the mass movement that never happened. physically close to civilization but mentally light years away. with the economic regression hitting hard, the town is filled with unemployed and old people wandering the streets and trying to find out what went wrong. like zombies of a mental desert. monoder. though the name sounds familiar, he has nothing to do with italodisco or electropop. the music, as the name, is filled with cold, stripped down and hypnotic atmospheres. taking you on a trip filled with hunger, cold breeze, forests and frozen tundra. the studio is on the roof-level of abandoned rubber factory, where disillusioned entrepreneurs try to get their daily bread doing what ever. moist pushing from the sealing and walls. water dripping during the mixdown. someone pulling cargo in the hallway.

remixes by shinichi osawa, k.i.m., light year, flight facilities featuring louis austen
bag raiders return from their middle american bowling alley dj tour to release the turbo love remixes on banggang 12s. ditching the b-side (to be re-released as its own a side real soonà.watch this space) this package turbos up, straps on some nitrodepth chargers and shoots the tune off into the noisy dancefloor hit-o-sphere. shinichi osawa. wow. his remix can only be described as power- dance. he takes the original, whacks even more turboness on it and re-sings the vocal himself to make an abrasive almost-but not-quite- trance hands in the air blisterer . the perfect soundtrack to your late night steroid and powerade party. kim took a short break from his role as presets party machini to reverse a monster truck and a half full of donks onto the original that hots-it-up into a turbospeed booty monster.

2017 repress, amazing deep house licks, for those who knows... decks top tip!

clone v2.0! clone back in its new form.. a series of specialized series dedicated to different functionalities, emotions and styles of electronic music. the clone loft series will be releasing more traditional house and ny influenced disco for the smaller and more intimate club settings. first of reggie dokes with probably his best release so far! a-side is a dirty but massive house track that goes down very well in any house set! at first notice this might be the main track... which most likely it is for more peak-time use... but actually our favorite is the fierce i wear the mask track on the flipside. this track has a nice jumpy beat, very light... but such a balanced rhythm that it will grab one for sure. on top it has layers of strings and a bouncy bassline and very staccato keys... and everything is so well balanced, so sensitive that it really gives us goosebumps all over! it reminds even to some derrick may tracks where he managed to make his songs emotional and fragile with the same kind of timbre and hidden energy (but then less 909 orientated and such...) it has that force, that gentle force of magic that frees that inner energy, that inner power that makes you wanna dance. what a stunning track and what a strong release by mr dokes. essential!